MaxBarry.com
fear my vigilantes

Max Barry wrote the novels Syrup, Jennifer Government, Company, Machine Man, and Lexicon. He also created the game NationStates and once found a sock full of pennies.

  • Syrup: movie tie-in
  • Jennifer Government: US hardback
  • Company: US hardback
  • Syrup: US hardback
  • Jennifer Government: German large paperback
  • Company: US paperback
  • Syrup: US paperback
  • Jennifer Government: Italian paperback
  • Company: German paperback
  • Syrup: Australian paperback (Scribe)
  • Jennifer Government: Spanish paperback
  • Company: Dutch paperback
  • Syrup: Chinese paperback
  • Jennifer Government: Dutch paperback reissue
  • Company: Brazilian paperback
  • Jennifer Government: Brazilian paperback
  • Company: Polish paperback
  • Syrup: Australian large paperback
  • Jennifer Government: Taiwanese paperback
  • Company: Spanish paperback
  • Syrup: US Audio
  • Jennifer Government: Swedish paperback
  • Syrup: Australian small paperback
  • Jennifer Government: Swedish paperback
  • Syrup: German large paperback
  • Syrup: German small paperback
  • Syrup: French paperback
  • Syrup: Israeli paperback

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New book! » Lexicon now in paperback

New movie! » Syrup

I am seriously disappointed the merged Penguin / Random House isn’t called “Random Penguin.”

Apparently I will never get sick of posting Lexicon reviews. You might. But not me. “Barry’s smartest dystopia yet” io9.com/lexicon-could-…

5 stars everywhere for the audio edition of “Lexicon” read by Heather Corrigan & Zach Appelman! audiobookreviewer.com/Audiobook-deta…

About to do a radio interview with ABC Broken Hill. Awkward?

Melbourne! I want to talk to you. Tonight 6:30pm @ Embiggen Books in the city. embiggenbooks.com/blogs/embiggen…

Australia, New Zealand, South Africa: “Lexicon” is out today!

I’d feel more comfortable linking real-life shoe store shootings to “Jennifer Government” if real people weren’t being shot.

Being met at the airport is awesome.

Lexicon is out in the UK today: the first of my books to be published there since Jennifer Government in 2003.

Los Angeles! Let’s get together. Tonight 7pm @ Mysterious Galaxy, Redondo Beach. mystgalaxy.com/Event/Max-Barr…

Incredibly flattering Kirkus interview. kirkusreviews.com/features/lexic…

Bookshop Santa Cruz. pic.twitter.com/22g6BU0uY0

New York! You and me, 7pm, Barnes & Noble @ 86th & Lex. store-locator.barnesandnoble.com/event/80594

And totally out of nowhere comes a “Lexicon” book trailer from the Australian publisher! Rock out here: youtu.be/9E2Z24gS3Sg

I shouldn’t give it views, but this is hilarious: a spambot decides I’m famous enough to auto-generate a video… youtu.be/FfEyppr1AS0

Tue 18
Jun
2013

Watching “Syrup”

Syrup My fifth novel, Lexicon, is out today in the US & Canada, so I’m going to spend some of today visiting New York bookstores, looking at it, and feeling weird. The early press on this book has been kind of shockingly good, like what you dream about as an author but never actually happens, so I’m daring to think that THIS COULD BE IT, the book that allows me to use the word “bestselling” without abusing its definition. Poor word. It has been so stretched.

Bookstore Events: New York, Los Angeles.

But a few days ago I finally watched Syrup and I need to tell you what that was like! I’ve been building this up for about five years and then I did one tweet, so people have been asking HEY WHAT DID YOU THINK OF THE FILM. But I was traveling and not sleeping and didn’t get the opportunity. Now I’m writing this from a New York hotel room at 3:30am, so I’m making my own opportunity, like Tony Robbins.

I had been holding out to see Syrup in a theater, since that was what I’d always dreamed about. But then I realized I had a problem, because I could only see it in a theater in the US, and my wife, Jen, wouldn’t be there. Jen was a huge part of writing Syrup; she read the first draft one chapter at a time and got all excited about it in a highly motivating and sexy way that made me keep writing. Plus she’s an awesome person to see a movie with. But we could only get a DVD in Australia, not see a theater showing.

So I made an executive decision: The night before I hopped a plane (Melbourne to Sydney to Los Angeles to Houston to Columbus all in one 32-hour Friday), Jen and I dragged the sofa up to the TV and closed the curtains, so it would be like a real theater. We were both nervous and held hands and said things like, “Whatever it’s like, it doesn’t change the book.”

And! Then! We! Played! It!

I have trouble summarizing my reaction because I reacted in pieces. I would see a scene and think, “Oh! I wrote this one!” or “Wait that is different!” and I didn’t process it at all like a normal person watching a movie. It was all about individual scenes. But my first thoughts were:

“Oh no this is too confusing.” The first time I watched it, I was a little shocked at how little setup there was, especially at the start, and thought no-one would understand what was going on. Everything moved so fast. But I’ve since seen it again (in a theater in Columbus with an actual live audience, and ohhh, how amazing to watch it like a proper movie), and I felt this far less. I think my initial reaction was a novelist kind of thing; films can move faster and the audience still picks up the gist of what’s happening.

“This looks really good.” The visuals of the movie are really strong. I knew the filmmakers were very big on this, and had an experienced and highly skilled cinematographer in Julio Macat, but boy does that show. Every shot is beautiful and interesting.

“This scene I wrote is awesome!” My favorite parts, for completely selfish reasons, were scenes that played out just like I’d written them in some screenplay draft or other. And then they were on the screen! Some I loved because they were just like I’d imagined (6 making Scat breakfast, Scat shaking a dummy), and seeing them come to life was thrilling; some were awesome because they took my material in unexpected directions, elevating the scene beyond what I’d expected (the monologues, ZephCo’s corporate goons—which Josh Pais and Christopher Evan Welch play hilariously well).

I thought this must mean that I am an amazing screenwriter, but later the director showed me some deleted scenes, which included lots of stuff that played out just like I’d written and was really horrible, so I realized the truth was they just kept my good parts. The rest, which turned out to suck when filmed, were quietly executed. So that’s lucky for me.

“Amber Heard is amazing.” Holy crap. Amber Heard is amazing. I was always worried about how 6 would turn out, but Amber annihilated that character. In a good way. My favorite part of the whole movie is her monologue about marketing love; I think that’s perfect. I love Shiloh, too, and many many others, but Amber is amazing. You should make a note so that when everyone else catches on you can be all like, “I actually preferred her earlier work in Syrup.”

“How did they do all this?” I’ve thought this before, when I was on set, but I keep re-thinking it. Novels are easy compared to films. Novels, I just sit there and type and things happen. Films require people to painstakingly create every detail that winds up on screen. It’s so practical. They have to wrestle the real world into submission. They have to make decisions based on trade-offs and logistics. And it’s so easy to forget because the end result looks effortless.

“OMG ending.” I’d heard they changed the ending. I’m not going to say how, because, you know, spoilers. But I had written a particular kind of ending in pretty much every screenplay draft, and then the film went and did something completely different. And it’s better! I saw my original ending as a deleted scene and boy did it suck. It sucked a lot. The new one is actually thought-provoking and makes you want to go back and rewrite some screenplays. That may just be me. But I love the ending.

Overall, I think the film is very true to the book, not just in its tone and characters but in how they are both kind of raw and and messy but steam ahead powered by earnest, youthful enthusiasm, never worrying about whether they’re being too ridiculous. The film is an indie and if that was a thing for books, the book would be, too. They are a good match. As an author, that’s what you want your film adaptation to be. Well, also super successful. But most of all, you want it to be true. This film is true.

How To Watch Syrup: So it turns out the movie is only playing in a super-limited number of theaters and will mostly be an iTunes/On Demand/DVD kind of thing. At which it’s doing well; it’s been sitting in the Top 100 Movie Rentals charts for a month (currently #52), and wrestling with three or four others for the #1 Indie spot. Thank you so much if you had something to do with making that happen. It makes a massive difference to the people who sweated and toiled for months or years on this, doing unspeakable things in the name of making a good film. Outside the US, I still don’t know; I keep hearing there will be some kind of release in most major international markets, but all I know for sure is Australia gets it in November.

Spending all day tomorrow wandering NYC in the hope of coincidentally seeing someone reading my book. (Sometimes coincidences need help.)

“The words brilliant and exemplary aren’t adequate enough to convey the amazing craft of ‘Lexicon.’” via Boston Globe http://t.co/2esARvtAgr

Wow. Watched Syrup on the big screen… 18 years after I started writing the book. Hard to believe it’s real. Amazing.

Might go out, catch a movie. “Syrup” is playing, I’ll probably watch that. Whatevs. http://t.co/aItX3ZSwJ8

Ohio University and Ohio State University are two totally different places and only an idiot would confuse them, I learned today.

Good morning, Columbus! I just ran around Ohio University campus and saw a squirrel. That’s very cool for me. Tonight: “Syrup” screening!

Either US Immigration is getting friendlier or my expectations are getting lower!

MOAR LISTS: Lexicon a “July Indie Next Great Read” from indie US booksellers: http://t.co/DQxx1Y05dz

Syrup movie opens in (incredibly) limited release! http://t.co/QEvem0tVf8

The New York Times summer reading list has LEXICON!! http://t.co/ptLUWqMzff

“10 Best Novels for Summer Reading” feat. LEXICON from Kirkus Reviews! https://t.co/tsON81Tv6E

Tue 04
Jun
2013

On Tour

Lexicon “Tour” may be an exaggeration. I’m going to a few places. If you want to see me, come along, and I’ll be all like, “Thanks for coming,” and you can be like, “That’s cool, man, no problem.”

Columbus, OHChicago, ILNew York, NYLos Angeles, CAMelbourne, Australia

Columbus, Ohio

Saturday June 15, 7:00pm ***UPDATED***

Gateway Film Center 8

Film screening! Syrup is playing here and I’ll be doing a Q&A afterward about what it’s like to have a book turn into a movie. I land in Columbus on the night of the 14th direct from Australia so I can’t make any guarantees about how I’ll smell. Because of the long flight, I mean. Not because of Australia. Australia smells fine.

By the way, Syrup is simultaneously screening not too far away at the Waterfront Film Festival in South Haven, Michigan, with a Q&A with the director Aram Rappaport and editor Robert Hoffman. If you think those guys are better.

Update! They decided it was a bad idea to schedule a Q&A that could be derailed by me missing a connecting flight. Is that a mixed metaphor? Because I’m saying the Q&A sesssion would be derailed, not my flight. Anyway, the Friday evening session is now a Saturday evening session, and I will be able to shower and degrease ahead of it.

Chicago, Illinois

Sunday June 16, 4pm ***UPDATED***

Hang With Max @ Emporium Arcade Bar

I’ll be in Chicago two days before my book comes out. I can’t do a bookstore event, but I figured I could meet people at a bar or something. I did this in London once and didn’t get stabbed at all so I think it’s a good idea. There might be some Syrup film people there too. So you could come along and talk about books and films or whatever. Very casual. If you bring a book, I will sign it.

Details to come: I will update this post. And if you know a good venue, please let me know in the comments.

Update! At the moment it’s looking like this will be in Wicker Park. But please check back for confirmation.

Update 2! Let’s make it the Emporium Arcade Bar, 1366 N Milwaukee Ave. Chicago. Thanks to Mark Dunlap for the suggestion. If it sucks, we know who to blame.

All good book stores, US & Canada

Tuesday June 18

Book comes out. I mention this because you probably want to schedule some time to head to your local bookstore and elbow aside the crowds.

New York, NY

Wednesday June 19, 7:00pm

Barnes & Noble (Upper East Side)
86th & Lexington Ave.
Ph. 212-369-2180

Book launch! I will read from Lexicon and answer questions and stuff. You know. It’s a reading. Actually, it’s more of a talking. I talk about things. I figure you can read the book yourself. I mean, that’s why we had it printed. I will read for a little while, because that’s expected, and because sometimes people come to bookstore readings for no particular reason and hear some of the book and think, “That sounds good.” Then they buy it and I get to continue being an author.

Los Angeles, CA

Thursday June 20, 7:00pm-8:00pm sharp ***UPDATED***

Mysterious Galaxy Bookstore (Redondo Beach)
2810 Artesia Blvd., Redondo Beach

Bookstore event! I read, I answer questions, I sign things. I haven’t been to Mysterious Galaxy before, but it was LA Weekly’s Best Geek Bookstore of 2012. So that’s promising. I only have a few hours in LA, flying in that day and flying out that night, so this will be the kind of visit that’s brief and passionate and leaves both of us wanting more, like that time in high school.

Update! I need to RUSH from this event to LAX to catch my flight home to Australia. So at 8pm I need to be out the door. I’m sure there will be time to sign everyone’s books, but I won’t get to hang around and chat. What I’ll do is get there early, like maybe 6:30pm, and browse the shelves or something. So if you want, come up and accost me.

All good book stores, UK

Thursday June 20

Book comes out in the UK. Sadly, I don’t get to be there. My in-laws moved out of Bedford, did I mention? They did. I will probably never go to Bedford again in my life. What am I saying, probably. There is no way I am ever going to Bedford again.

Melbourne, Australia

Tuesday June 25, 6:30pm

Embiggen Books
197-203 Little Lonsdale Street

Australian launch! On the day of Lexicon’s Australian / New Zealand / South African release I’ll be launching it here. Embiggen is awesome. They stock about ten books but they’re all really good. They stock more than ten books. That was an exaggeration. But you could seriously just wander into Embiggen with your eyes closed and buy whatever your hands fall on and walk out happy. It’s that kind of place.

By the way, the following day (Wednesday June 26 @ 6:30pm) the Embiggen Book Club is doing Machine Man. Details here!

Other Places

You know I’d come if I could. It’s not you; it’s me. Me, not being near you.

LEXICON is an Editors’ Pick for http://t.co/6uEMX12CK8’s Best Books of the Month: http://t.co/IRQyDKxbXV

“The Shining Girls” by Lauren Beukes is my favorite read of the year so far. Really smart and interesting.

My book, in cookie form. http://t.co/eqeuVGlOZR

Picked up my 2yo and she said, “I have a sore tummyyyeeaaAAURRRGGHHH.”

US visit! New York June 19, Los Angeles June 20. Details to come.

Ahhhhhhhhhh my monitor has a dead pixel and I can’t stop seeing it

Fri 24
May
2013

Dear Pirates: This is How to Help

What Max Reckons Sometimes people pirate my stuff. Then sometimes they write to tell me they pirated my stuff, because they feel kind of bad about it, and wonder if they can pay me somehow. (Except one time when a guy said he’d pirated a compilation of “100 Great E-Books” and he just wanted to let me know I was in it, as a compliment. A kind of compliment.)

For example:

Now I had read your latest blog post about the movie the other day saying it had been released on iTunes and some cable websites, so <pirate pirate pirate>, so right now Syrup is 42% completed, and with my guilt (and procrastination, as I’m still typing this email) growing with every percentage, I thought to ask your opinion.

I’ve been looking forward to the Syrup movie since I read the book and thought “This would make a damn good movie!”, and then came the first rumours or it actually becoming one, so of course I want to support the production company and in turn future movies/series (I’m trying not to get my hopes up for Jennifer Government), but I can’t wait.

Would there be a PayPal donation link I can use to throw you the cost of a movie ticket? Or should I watch it now and when it eventually hits theatres and see you as a waiter on the big screen? Buy the DVD?

What, as the writer of the source material for a movie, do you think is the most beneficial method (to whoever you think deserves it. I of course, thought you) of paying for my viewing pleasure?

The general answer is that you should tell people you watched it. Or that you read it, if it’s a book. You should tweet, “Just finished <whatever>, highly recommended,” assuming you liked it, or “Just finished <whatever>” if you didn’t. Or post on Facebook. Or write a nice review somewhere. If you do this, you are all square in my eyes. In fact, I’d bet most artists and content creators feel the same way. Because the major problem they face isn’t that people pirate their work; it’s that nobody knows they exist.

Getting people talking is massive. Enormous amounts of time and energy are poured into getting people talking about every single book and film and song ever released. You, talking about a book/film/song, is really valuable. I can’t emphasize that enough. It can galvanize all kinds of great outcomes.

A Pirate Tip Jar (Jaarrrrr), on the other hand, would be a bad move. Lots of people work on books and films, not just me; even on a novel, I’m due no more than 15% of what you pay. I don’t want anyone thinking they can cut those people out and pay me directly. Also, I suspect the number of people who say they’d love to pay for X if only there were a more convenient way of doing so is far greater than the number of people who would actually pay. I mean, it’s a nice sentiment. But we generally pay for things because we have to. That’s just how it works.

So instead of wishing you could tip an artist for something you pirated, talk about it. That’s good for everyone involved. If you have nothing good to say, even a simple mention is helpful. Not a bad mention. That’s not helpful. But the difference between pirating something and saying nothing vs. pirating something and mentioning it to other people is really, really huge.

Of course, piracy is kind of wrong. I feel I need to say that explicitly. It’s kind of wrong because people who create something like a book or movie or song should be able to decide if and how they’ll sell it. Just because it’s more than you’d like to pay doesn’t mean it’s fair to pirate; everything is more than you’d like to pay. If Justin Timberlake made a CD and priced it at a thousand dollars a copy, such would be his right.

But it would be pretty silly of Justin to think people wouldn’t pirate that. Especially fans, and especially if that CD was only released in one country at a time and didn’t work on everyone’s players. I would be surprised if Justin wasn’t fully aware that this situation would provoke quite a lot of piracy. I have no idea why I’m using Justin Timberlake as an example. That just happened. But what I’m saying is that while piracy is generally bad for artists, and we want you to buy real books/tickets/MP3s/downloads, I recognize that piracy happens sometimes anyway. And if it happened to you, and you want to say thanks, you can do a lot of good by spreading the word.

That’s right, REPORT VIOLATIONS http://t.co/L4uyKcRJrj

I love this “Syrup” still: http://t.co/jQCkkePgjF

Library of Congress catalog categories are so fun. http://t.co/TwEIpU4rND

I don’t think I can take this any more. Feedback on the Syrup movie is driving me crazy. What if I just watched a few scenes…

Thanks so much, people saying great things about the Syrup movie. You are reeeeaaally testing my resolve to wait until it hits theaters.

A new clip from “Syrup:” sexual tension in the elevator. http://t.co/IlWQZsN37V

Thu 02
May
2013

Thoughts As My Movie Comes Out

Syrup

Official Syrup WebsiteTrailerWatch on iTunes (US)Cable On Demand (US)Early Theater Screenings (US)Clip Where Max Tries to Act

People are about to watch my movie. Seriously. This is happening. Until now, I’ve been able to say, “Oh yes, I have a movie,” and no-one could say, “Yeah, I thought that SUCKED.” Because no-one had seen it. That time is over.

Today, May 2, 2013, Syrup launches as a “sneak” on Video on Demand, which is something I had no idea about until very recently, but I have since learned is how you release an indie movie to generate buzz ahead of its theatrical release. If you live in the US, you can rent it right now from iTunes. Also, if you have some kind of premium digital cable thing, you can use that. I’m not sure of the details there. I don’t live in the US. But it’s something like that.

The dream here is that Syrup breaks into the Top 10 Movie Rentals on iTunes. That would be huge. So if you are in the US and want to help push it up the list, today is the day.

But back to me. Over the last few years I’ve thought a lot about what happens if, like, the movie turns out to be so bad that they write newspaper articles about it and people come to my house asking why I would visit such an abomination upon the earth. Also, what if it becomes the breakout hit of the year and they write newspaper articles about it and people come to my house asking can I help them sleep with Kellan Lutz.

Because movies get seen by a lot of people. And those people have strong opinions. That’s a little daunting. Also, some people who read the novel have been amazingly supportive of my career over 10 or 15 years, and I don’t want them to be disappointed. Yet that’s kind of unavoidable, when adapting a book, since a film can never match what’s in your head.

On top of this, I still haven’t seen the movie. A while back, I decided to wait until I could see it in a theater, since it’s kind of a big moment for me. But I didn’t anticipate this on-demand sneak thing. I’m in Australia, where the film isn’t released until November, and now I have this slightly awkward scenario where a lot of people will see it before me.

So the movie is suddenly here and I don’t know what people will think. Before I have a book published, I’ve at least seen some early reviews, and the publisher has completed a print run (thrillingly high or alarmingly small), which gives me a general idea of what to expect. But today: nope. Which is kind of scary.

But I am going to try not to become lost in that, and remember to enjoy how awesome it is to, you know, have a freaking movie. I’ve seen authors do this: they dream of being published, but when it finally happens, they’re so preoccupied with whether it will be a hit that they don’t seem to actually enjoy the moment.

The reality is most books and movies aren’t breakout hits: they are read or seen by some people, and some of those people love it and some don’t. And that’s it. This isn’t very romantic, not the kind of thing you imagine about when you dream of being an author or actor or filmmaker. But it’s still pretty great.

One of my favorite moments as an author is an email I received from a 14-year-old who said Jennifer Government was the best book he’d read in his life. It was so cute. I mean, obviously he hadn’t read that many books. But no-one could be more gushingly, genuinely enthusiastic than this kid. I will never get a more delighted email, no matter how many books I write, or how many people read them. As far as creating something that connects with people, that’s as good as it gets.

This movie process has been awesome all the way through. I got to write scripts, swap ideas with the director, hang out on set, and try not to strangle Amber Heard with a necklace. These are all amazing moments that I would have killed for as a 23-year-old, writing the novel in my car during lunch breaks from my sales job. And today is another one.

ONE MORE THING: How similar is the movie to the book?

Although I haven’t seen it, and don’t know how much of various scripts I wrote are in the final movie, I do know I wrote a lot of stuff that departed heavily from the book’s plot. I didn’t change the characters or the world much, but I changed what they did. I mention this because I don’t think you should go into the film expecting it to be exactly the same. I never wanted the film to be like the book only with all the parts you imagined now filled in. I wanted it to be something new.

Where to catch an early theatrical screening of “Syrup” ahead of the June 7 US release: http://t.co/uZzj4WLJQp More dates to come!

Wed 01
May
2013

Max Barry, Act-or

Syrup A clip from Syrup featuring my big-screen debut. Look at me rocking that role. You could totally believe I was a waiter. Some assistance provided by Amber Heard.

Here is the blog I wrote about filming that day, by the way, if you’d like to relive my gut-churning terror.

My favorite marketing example, “Just Noticeable Difference” theory, in action: http://t.co/922WsH4x5K == http://t.co/hQ62vsosY0.

Read Austin Grossman? His new novel “You” is out today. Really interesting look at video games & storytelling, super nostalgic for 80s kids.

Listening to voice actor auditions for “Lexicon” audio edition. This is as cool as it sounds.

Wed 10
Apr
2013

Compendium of News

Syrup I’m seriously losing the battle to Facebook and Twitter. It’s just so easy to post stuff there. I hardly even need to think about it. For a blog I actually have to spend time composing my thoughts. I know that’s not really evident, but I do.

As a result, I have accumulated a COMPENDIUM OF NEWS, each item of which failed to inspire a blog all by itself, but which nevertheless requires mention. So buckle in, sparky.

Syrup Movie: Trailer & US Release Date

There was a teaser, now there’s a trailer! Those are different, trust me.


Syrup trailer on YouTube

The film is out June 6, 2013 in the US. But there’s something called a “sneak on demand” on May 2nd, which I think is some kind of Internet thing? I don’t know. Will it be viable outside the US? I don’t know! But I’m excited!

I think that’s my shoulder at 1:10. I’m not sure. I didn’t think I was wearing a jacket. But I was definitely standing behind Amber Heard while she made sexy at the camera and no-one else was around. Don’t tell me I imagined that. It happened.

Lexicon: Early Reviews

My fifth novel, Lexicon, comes out June 18 in the US & Canada and a few days later in the UK, Australia, South Africa, and New Zealand. I’m not promising this is the novel that will finally allow you to talk about me without the other person saying, “Who?”, but the early signs are good. There’s a big print run lined up, early reviews are very positive, and awesome people are saying awesome things:

“About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell.” —Lev Grossman, New York Times bestselling author of ‘The Magicians’

“Lexicon grabbed me with the opening lines, and never let go. An absolutely thrilling story, featuring an array of compelling characters in an eerily credible parallel society, punctuated by bouts of laugh-out-loud humor.” —Chris Pavone, New York Times Bestselling author of ‘The Expats’

“I don’t know how you could craft a better weekend read than this novel of international intrigue and weaponized Chomskian linguistics. It’s the perfect mix of philosophical play and shotgun-inflected chase scenes. Like someone let Grant Morrison loose on the Bourne identity franchise.” —Austin Grossman, author of ‘Soon I Will be Invincible’ and ‘You’

“Dazzling and spectacularly inventive. A novel that jams itself sideways into your brain and stays there.” —Mike Carey, author of ‘Hellblazer’ and ‘Lucifer’

And there’s this Amazon.com review I really like and this one and this from bitethebook.com and a soon-to-be-released starred review from Kirkus.

Also film rights to Lexicon have been optioned by Matthew Vaughn, director of a slew of incredible movies including Kick-Ass 1 & 2, X-Men: First Class, Startdust, and Layer Cake. Did I mention this already? I don’t think I did. Anyway, I think we’ve been down this road often enough to realize that “optioned” doesn’t mean “there will definitely be a film.” But it does mean there might be. And I think Matthew’s record of turning optioned properties into films is running at around 90%. That’s what he told me, anyway. So that could happen.

Book Tours & Events & Things

Melbourne, Australia: I’ll be launching Lexicon at an Embiggen Books event on the day of Aussie publication (Tuesday 25th June). They have a Countdown Timer running so you can always know exactly how many seconds you have to wait.

USA: So this is kind of awkward, because I have a film and a book coming out a few weeks apart and I live a really long way away. I mean, it’s the good kind of awkward. It’s the kind of problem you like to have. But at this stage it’s looking like I’ll be in the US for early June, either in LA or New York, but won’t come back for a whole tour. I’m thinking I might do some kind of pre-release thing in whichever city I visit, where I read from the new book and then leave you all frustrated and unable to purchase a copy.

UK & elsewhere: Sorry, you need to make me a lot more famous, to justify those air fares.

Jennifer Government

Do you want a Jennifer Government wallpaper? Of course you do! You’re not crazy!

Digital artist Mark Hirst decided to do these for no particular reason and kindly made them available in several sizes.

Also these days Jennifer Government is looking less like a film and more like a TV series. Just FYI.

Machine Man

Look at this Korean Machine Man cover. There’s a flamingo on it. Are there flamingos in the novel? No! Not that I recall. But there it is. The back of the cover has a whale and a stag as well.

Korean Machine Man edition, black and white pencil drawing of a man in parts with various surreal elements, including a flamingo
Japan
Korean Machine Man edition, black and white pencil drawing of a man in parts with various surreal elements, including a flamingo
Korea

On the right is the Japanese cover, which I think is super cool. That comes out on May 10. I say this knowing full well that not a single person will think, “Oh, that’s good to know. I’m an English-speaking Max Barry fan living in Japan right now.” But still.

Also that Machine Man film is still ticking along. You might have thought that since there has been nothing announced for a year or two, that dream was gone. But no! FYI.

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